Yes they dont match but there is little to none you can do as the image size is odd and you have variable framerate.
On Friday, March 8, 2019, 11:08:11 AM EST, Ann Bens wrote:Ĭreated by Ann Bens in Premiere Elements - View the full discussion
So this means to me it isn't the video file, but some setting? So is there any basic hardware or software settings that would cause this audio jitter which I see with any video imported into this software. For which, my cellphone is sufficient.I understand what you are saying but as I said earlier I can load any video file including music videos, movies or you tube vidoes etc and they all cause the audio and somewhat video to jitter to the point it is not worth the time to work with, but if I make any edit and then save or export the video it is fine watching in any video player. While I'm on road trips I only need computer power to do a bare minimum of functions such as check emails and check a few apps. I don't do any video editing work while traveling. Even using a robust desktop computer to do my video editing, I still have a fair number of software crashes, where the whole video editing package just suddenly freezes or folds up and disappears like a circus tent in the night. But if you're doing as I do and taking hundreds of clips, adding narration, adding special effects, adding warp stabilization, adding zoom or rotation, position changes, adding green screen bits, layering 2 to 4 videos on top of each other.that is where you start needing more of a heavy duty computer setup to handle all this. If you're just taking a few clips and put them together with titles and video transitions, that is not too intensive. I can't use a laptop, I need a desktop PC, and my work involves a lot of props and stage set items (eg backdrops, green screen).suffice it to say it's just not possible to do without lots of space, more than one would have in a van or even a good sized RV.įor video editing, it depends on how intensive the video editing in terms of how much space you need. With the kind of work I do with computers and creating videos, that alone would make it impossible to live in my van full time. It's just about how fast the computer can move data back and forth from the disk drive. Not exactly ILM or Pixar but it did take a 2 hour render to a 12 hour render.Īnd sometimes it's not even a CPU power thing. Because of worries about relatives still living in China/Taiwan/Hong Kong it was requested to blur the faces of everyone except a few that consented to have their faces visible. I did a doc about a panel discussion of Chinese dissidents. Or combining multiple footage on top of each other, like the famous green screen color keying effect. Where this gets complicated is when you are doing creative stuff like applying filters or color grading to footage. When we render the video it applies those timecode positions on the proxy footage to the full resolution footage, then outputs it in the selected framerate, bit depth and colorspace.
Then we edit those proxies with a normal Dell computer. A high compression, low resolution copy of the footage. When editing we usually would make proxies. It's still compressing based on color profile and doing some data compression, but not like the mobile device.
The interesting thing is that semi pro cameras like the DSLRs that shoot 4k give you medium compressed footage. Yeah that takes up a ton of space, and yeah a regular computer will struggle to throw that video around. Basically 60 12 megapixels photos per second. The pro camera will give me uncompressed footage. One gives you a 4k mpeg which is very compressed. You really only need a high powered computer for editing if you are using high bandwidth footage.įor example 4k from your phone and 4k from my pro camera are not the same. Click to expand.I used to do computer stuff for NBC Sp[orts and Olympics.